{"id":10156,"date":"2013-12-17T13:42:14","date_gmt":"2013-12-17T12:42:14","guid":{"rendered":"http:\/\/meonline.hu\/?p=10156"},"modified":"2014-01-15T10:26:25","modified_gmt":"2014-01-15T09:26:25","slug":"valtozatok-a-szepsegre","status":"publish","type":"post","link":"https:\/\/meonline.hu\/en\/magyar-epitomuveszet-hirek\/valtozatok-a-szepsegre\/","title":{"rendered":"Learning from Vernacular"},"content":{"rendered":"

Learning from Vernacular
\nVitra Design Museum, Weil am Rhein, 10 August – 29 September 2013<\/strong><\/p>\n

Photos: Vitra Design Museum<\/strong><\/p>\n

\"Kassena

Kassena Plot, Burkina Faso, photo: Deidi van Schaewen<\/p><\/div>\n

Mud huts, timber dwellings, stone houses \u2013 architectural structures around the world have evolved to be perfectly adapted to the surrounding environment, climate and available building materials. With the growing awareness of sustainable construction and regional traditions, these building types have been rediscovered as vital sources of inspiration. \u00bbLearning from Vernacular\u00ab is dedicated to this phenomenon. It shows selected examples of traditional architecture and presents contemporary designs that derive fascinating new building forms from these vernacular typologies. The featured examples of traditional architecture are from places like South Africa, Egypt, China, Malaysia and Cameroon, with construction methods ranging from adobe architecture and spectacular wooden buildings to courtyard houses and tunnel-like structures made of palm grass. The contemporary projects on display make use of local building materials or address the social and architectural challenges of various regions. Examples include the residential projects of the Auburn University\u2019s Rural Studio in Alabama, the collaborations between craftsmen and architects of Indiabased Studio Mumbai, the work of the architect Carin Smuts in South African townships or the bamboo structures by Colombian architect Sim\u00f3n V\u00e9lez. Films, photographs and plans illustrate how the respective buildings are constructed and convey the everyday lives of their inhabitants. With its 40 models, the exhibition presents a veritable panorama of world architecture. It opens the eyes of audiences to the abundant variety of materials and forms of construction that exist outside the globalized commercial market and are passed down from generation to generation. In such cases, the social functions of architecture are often just as important as its aesthetics or economics. Thanks to the many examples of renewable raw materials and energy-neutral solutions, \u00bbLearning from Vernacular\u00ab offers numerous inspirations for sustainable, resource efficient construction. \u00bbLearning from Vernacular\u00ab was conceived on the basis of a comprehensive collection of the \u00c9cole Polytechnique F\u00e9d\u00e9rale de Lausanne (EPFL). This collection comprises more than 700 architectural models at a scale of 1:20 and many documents. The collection is in turn part of the \u00bbArchive of Modern Building\u00ab, whose Director Pierre Frey is the curator of \u00bbLearning from Vernacular\u00ab.
\n\u00bbLearning from Vernacular\u00ab will be accompanied by two events. On 9 August 2013, on the occasion of the opening of the exhibition, a discussion between curator Pierre Frey and the Colombian architect Sim\u00f3n V\u00e9lez will take place. V\u00e9lez is known as the most important representative of bamboo architecture. In 2009, his approach was awarded with the prestigious Prins-Claus-Award of the Netherlands.
\nOn 19 September 2013, the Austrian architect and academic Anna Heringer, a pioneer of sustainable and social building practice, will give a lecture about projects in countries such as China, Morocco or Bangladesh, where she has developed a unique approach to architectural design that closely involves local communities and materials.<\/p>\n

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