{"id":11497,"date":"2014-07-16T12:12:45","date_gmt":"2014-07-16T10:12:45","guid":{"rendered":"http:\/\/meonline.hu\/?p=11497"},"modified":"2014-07-16T12:12:45","modified_gmt":"2014-07-16T10:12:45","slug":"hollein-emlekkiallitas","status":"publish","type":"post","link":"https:\/\/meonline.hu\/en\/magyar-epitomuveszet-hirek\/hollein-emlekkiallitas\/","title":{"rendered":"Hollein Memorial Exhibition"},"content":{"rendered":"

MAK, Vienna, 24 June – 5 October 2014<\/strong><\/p>\n

Text: Gy\u00f6rgy Szeg\u0151 <\/strong>
\nPhotos: MAK <\/strong><\/p>\n

\"Dream

Dream and reality exhibition, Vienna, K\u00fcnstlerhaus, 1984-1985, \u00a9 Georg Riha, Hans Hollein Archive<\/p><\/div>\n

So far, Hans Hollein is the sole Austrian architect who has been awarded the Pritzker Prize. Besides, he was also a designer, an autonomous artist, a curator, a researcher of the future, a culture anthropologist and a teacher. A genuine polyhistor, whose works have been associated with the high-brow culture of Central Europe preceding globalisation. In one is his most influential and lasting work as an exhibition curator (Dream and Reality, 1985) he referred to the climaxes of science and arts of the Monarchy that defined the 20th century. His archives include numerous documents, sketches, models and photos unknown before. He was not yet 30 years old when he wrote as follows: \u201eForm does not follow function. And does not come from itself either. Form is a great decision meant by human beings.\u201d (Architektur, 1963). This was actually a \u201elast warning\u201d addressing the outdated axioms of Modernism.<\/p>\n

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