{"id":11559,"date":"2014-07-17T17:30:20","date_gmt":"2014-07-17T15:30:20","guid":{"rendered":"http:\/\/meonline.hu\/?p=11559"},"modified":"2014-07-17T17:30:20","modified_gmt":"2014-07-17T15:30:20","slug":"14-velencei-epiteszeti-biennale","status":"publish","type":"post","link":"https:\/\/meonline.hu\/en\/magyar-epitomuveszet-hirek\/14-velencei-epiteszeti-biennale\/","title":{"rendered":"14th International Architecture Exhibition Venice"},"content":{"rendered":"

Death in Venice<\/strong><\/p>\n

Sz\u00f6veg: Hatvani <\/strong>
\nFot\u00f3k: Hatvani, L\u00e1szl\u00f3 Gy\u00f6rgy S\u00e1ros, International Architecture Exhibition Venice<\/strong><\/p>\n

\"Central<\/p>\n

According to previous information, this biennale was meant to be different from all the former ones. The Koolhaas method, \u201emore and more, more is more\u2026\u201d, condensification has proven to be efficient here as well. Themes crowded beneath the head word Fundamentals of the 100th biennale-anniversary in the spirit of modernity in the national topic-based pavilions, the basic constituents of architecture, the section titled Monditalia specialized in Italy, the appearance and co-existence of various arts to orchestrate artistic biennales simultaneously in the same place and at the same time: all this predicts a highly complex biennale. Knowing the oeuvre of Rem Koolhaas, it was to be expected that the event shall have a twist in it. Peter Eisenman, who was the first mentor of Koolhaas spoke of the end of the curator\u2019s career straight away, leading museumn managers, curators, prestigious theoretical gurus of the profession praised the material, which architects do not understand: they are hurt and protest as they feel neglected. Visitors actually enjoy this show of post- or pre-architecture. The slogan, however, reveals architecture not architects.<\/p>\n\n\n\n\t\t\n\t\t\t\t