{"id":11733,"date":"2014-10-02T11:25:41","date_gmt":"2014-10-02T09:25:41","guid":{"rendered":"http:\/\/meonline.hu\/?p=11733"},"modified":"2014-10-02T11:27:00","modified_gmt":"2014-10-02T09:27:00","slug":"az-individualis-vizio","status":"publish","type":"post","link":"https:\/\/meonline.hu\/en\/magyar-epitomuveszet-hirek\/az-individualis-vizio\/","title":{"rendered":"Konstantin Grcic"},"content":{"rendered":"

Panorama, Vitra Design Museum, 22. 03. \u2013 14. 09. 2014<\/strong><\/p>\n

Photos: Vitra, AndreaF \u00e1bi\u00e1n <\/strong><\/p>\n

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Konstantin Grcic is one of the most influential designers of our time. Serious and functional, unwieldy and occasionally disconcerting, his works combine an industrial aesthetic with experimental, artistic elements. Many of Grcic\u2019s creations, such as \u00bbChair_One\u00ab (2004) or the \u00bbMayday\u00ab lamp (1999), are widely acclaimed as design classics. With \u00bbKonstantin Grcic \u2013 Panorama\u00ab, the Vitra Design Museum is now presenting the largest solo exhibition on Grcic and his work to date.
\nSpecifically for this exhibition, Grcic has developed several large-scale installations rendering his personal visions for life in the future: a home interior, a design studio and an urban environment. These spaces stage fictional scenarios confronting the viewer with the designer\u2019s inspirations, challenges and questions, as well as placing Grcic\u2019s works in a greater social context. The highlight of these presentations is a 30-metre long panorama that depicts an architectural landscape of the future.
\nA fourth area of the exhibition takes a focused look at Grcic\u2019s daily work. This section presents many of his finished objects, but also prototypes, drawings and background information along with artefacts that have inspired Grcic \u2013 from an old teapot and an early Apple computer to works by Marcel Duchamp, Gerrit Rietveld and Enzo Mari. In the shift of perspectives between larger and smaller scales, the exhibition demonstrates how design is more than mere problem solving for Grcic, but a highly complex process that integrates coincidences, ruptures, chance discoveries and a profound engagement with the visual culture of our time.
\nKonstantin Grcic (b. 1965) was initially influenced by the minimalist designs of Jasper Morrison under whom he began his career in the late 1980s. Soon he developed his own distinctive stylistic idiom and has become a driving force of formal and technical innovation within the international design scene. Today, Grcic works for many leading design companies, including Authentics, Flos, Magis, Vitra, ClassiCon, Plank, Krups and Muji. With his widely published designs, he often develops surprising solutions that avoid clich\u00e9 and derive their radical aesthetic from Grcic\u2019s intensive investigations of materials, technologies and production processes.
\nWith \u00bbPanorama\u00ab, Grcic enters new territory. Never before has he so fundamentally reflected on his own work and so thoroughly disclosed his own understanding of design in general. The exhibition is based on an extensive analysis of current technological shifts, innovations and upheavals in contemporary design. It was developed over three years of close collaboration between Grcic, the Vitra Design Museum and Z33 \u2013 House for contemporary art in Hasselt, Belgium. The result is a striking presentation of narrative and visual intensity, situated on the cusp between present and future, reality and fiction. <\/p>\n

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