{"id":28387,"date":"2018-09-29T21:26:42","date_gmt":"2018-09-29T19:26:42","guid":{"rendered":"http:\/\/meonline.hu\/?p=28387"},"modified":"2018-09-29T21:30:27","modified_gmt":"2018-09-29T19:30:27","slug":"post-otto-wagner","status":"publish","type":"post","link":"https:\/\/meonline.hu\/en\/magyar-epitomuveszet-hirek\/kiallitasok\/post-otto-wagner\/","title":{"rendered":"Post-Otto Wagner"},"content":{"rendered":"

From the Postal Savings Bank to Post-Modernism
\nMAK, Vienna, 30 May – 30 September 2018<\/strong><\/p>\n

Photos: MAK<\/strong><\/p>\n

To mark the 100th anniversary of the death of Otto Wagner (1841\u20131918) the MAK exhibition POST-OTTO WAGNER: From the Postal Savings Bank to Post-Modernism investigates Wagner\u2019s role as the \u201cFather of Modernism\u201d and points out not only the context and the interaction between Wagner and other protagonists of early Modernism, but also the influence his epochal work had on his contemporaries, students, and following generations of architects and designers. <\/p>\n

Starting with Wagner\u2019s most important works\u2014for example the building for the Vienna Metropolitan Railway (1894\u20131900), the regulation of the Danube Canal (from 1894), the Imperial Royal Austrian Postal Savings Bank (1903\u20131910) and the church St. Leopold am Steinhof (1902\u20131904), as well as residential and commercial buildings and his study Die Gro\u00dfstadt [The Metropolis] (1911)\u2014subject areas are presented in a way which makes it possible to easily understand Wagner\u2019s long-lasting effect on the architecture from Modernism to Post-Modernism and on to the present.<\/p>\n

In three chapters, the exhibition approaches Wagner\u2019s legacy. In doing so it illustrates the architect\u2019s rejection of the language of form found in Historicism as well as his influence on modern architecture and urban planning. The development of the metropolis in and around 1900 also made new building types necessary: In Vienna this included the modern residential and commercial buildings as well as department stores and hotels, which, as a result of Otto Wagner\u2019s rejection of Historicism in favor of new possibilities for building, had to position themselves, and which represent a widely spread architectural type still today.<\/p>\n

Earlier than others Wagner recognized the increasing importance of technology and engineering which manifested itself in new constructions and working materials. Consequently, he postulated a so-called \u201cNutzstil\u201d [Functional style] whose forms should result from the materials, constructions, and functions. Through this break with the aesthetics of Historicism and prevailing architectural styles Wagner became a leading figure of Viennese Modernism. After 1900, under the strong influence of architects like Josef Hoffmann, Joseph Maria Olbrich, Josef Ple\u010dnik, Max Fabiani, or also Istv\u00e1n Medgyaszay, Jan Kot\u011bra, and Pavel Jan\u00e1k, the Wagner School became a type of laboratory for style pluralism and individualistic approaches to style, aspects which were once again topical in Post-Modernism.<\/p>\n

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