{"id":46110,"date":"2022-12-13T22:51:00","date_gmt":"2022-12-13T21:51:00","guid":{"rendered":"https:\/\/meonline.hu\/?p=46110"},"modified":"2022-12-13T22:51:00","modified_gmt":"2022-12-13T21:51:00","slug":"ujrahangolas","status":"publish","type":"post","link":"https:\/\/meonline.hu\/en\/aktualis\/tema\/ujrahangolas\/","title":{"rendered":"Retuning"},"content":{"rendered":"

The Reconstruction of the Opera House<\/strong><\/p>\n

Architect: G\u00e1bor Zoboki<\/strong>
\nText: B\u00e1lint Botzheim<\/strong>
\nPhotos: Tam\u00e1s R\u00e9they-Prikkel<\/strong><\/p>\n

The Opera House of Budapest was accepted with huge respect on its opening to the public in 1884. Built after designs by Mikl\u00f3s Ybl, it was an architectural bravado of architecture and is regarded as such even today. The original programme of this recent reconstruction project was about a partial modernization, but as a result of research work and proposals by restorers and designers the government made a decision to comprehensively reconstruct it in 2018. During this project the architectural values outlined by Ybl were restored. As a result, the Opera House now welcomes visitors who can take a tour in the era of the Monarchy. The entire facade has been restored to its former glory, including the decorative lighting of both the facade and the roof. The grand staircase received a new two-tier chandelier, the original palette of the oakwood wainscot in the Red Parlour was restored to its original. The scene painters\u2019 workshops were moved to the Eiffel Hall thus freeing two large halls that can be used now for rehearsals. The basement also contains rooms made free now to be used as previously missing changing rooms by members of the orchestra. The house is also reborn regarding acoustics. The orchestra pit was also restored to its original dimensions, the floor of the auditorium has also been converted to integrate the original but more massive timber framework. In front of the stage the so-called wooden curtain was rebuilt to frame the proscenium with a significant role in acoustics.
\nThe seating capacity of the auditorium was reduced to 1,000 people as a result of the remodelling, whilst on the 3rd floor standing lots have been created with back support. Tickets to these offer a unique experience of music: sound waves returning from the auditorium and those guided outward by the conical surface of the ceiling fresco condense right here. As a result of the renovation, besides the authentic reconstruction of the historic structures, the operation of the building was elevated to such a technical level which can serve one of the most significant institutions of Hungarian culture in a modern contemporary way.<\/p>\n

Client: Hungarian State Opera<\/strong>
\nProject management: C\u00c9H Ltd.<\/strong>
\nGeneral architecture: ZDA Zoboki Architects<\/strong>
\nLeading architect: G\u00e1bor Zoboki<\/strong>
\nProject architects: Rich\u00e1rd Borz\u00e1k, Zolt\u00e1n Turi<\/strong>
\nProject coordinator: D\u00f3ra Farkas<\/strong>
\nArchitects: Andr\u00e1s Antmann Somogyi, M\u00e1t\u00e9 Moln\u00e1r, Val\u00e9ria \u00c1rvain\u00e9 Szab\u00f3, Zo\u00e9 Moln\u00e1r, D\u00e1vid B\u00e1ns\u00e1gi, Bal\u00e1zs Orlovits, Judit Besey, Ildik\u00f3 Pal\u00e1sti, Fatime Cs\u00f6ndes-Albert, M\u00f3nika Poller, Attila Fekete, B\u00e9la Reppert, Ferenc Fekete, Vir\u00e1g R\u00e9vai, Bonif\u00e1c Galg\u00f3czki, P\u00e1l Rutkai, R\u00e9ka Iv\u00e1nyi, Kriszti\u00e1n Seidl, Anna Jacz\u00f3, Csaba Silvester, G\u00e1bor Kacsoh, Bal\u00e1zs Szlabey, L\u00e1szl\u00f3 Kakas, J\u00falia Dominika Szont\u00e1g, Anna Korm\u00e1nyos, Gerda Sztank\u00f3, Albert Lencs\u00e9s, Andr\u00e1s T\u00edm\u00e1r, Bernadett Mikl\u00f3s<\/strong>
\nFellow architect: Bal\u00e1zs Zimay\u2013 ZED Architect Studio<\/strong>
\nInterior design: K\u00e1lm\u00e1n Czak\u00f3 \u2013 Czak\u00f3 Ltd, M\u00f3nika Simon, L\u00edvia Haraszti, <\/strong>
\nD\u00f3ra Kal\u00e1sz, Patr\u00edcia P\u00e1lmai-Juh\u00e1sz, Marianna Feh\u00e9r\u2013 St\u00fadi\u00f3 Kvarc Ltd.; N\u00f3ra Demeter, Edina Simon \u2013 Demeter Design Studio<\/strong>
\nFacade survey: Zolt\u00e1n De\u00e1k\u2013 Tripartitum Ltd.<\/strong>
\nStructure: Bal\u00e1zs Tak\u00e1cs \u2013 FRT Raszter Ltd.<\/strong>
\nFramework: G\u00e1bor Bimb\u00f3\u2013 STR Design Ltd., Ferenc Kamar\u00e1s \u2013 Kamar\u00e1sok Ltd., P\u00e9ter Rabb \u2013 2 RABB Ltd.<\/strong>
\nHVAC: J\u00e1nos \u00c1y, Norbert Szak\u00e1l, Attila Szendi\u2013 K\u00f6r\u00f6s Consult Ltd.<\/strong>
\nElectrical engineering: Ferenc Rajkai\u2013 Hungaroproject Engineering<\/strong>
\nLandscape: Zolt\u00e1n Nemes \u2013 V\u00e1r-Kert Ltd., B\u00e1lint Koszor\u00fa \u2013 V\u00e1ros-Teampannon<\/strong>
\nKitchen technology: Alexandra R\u00e9tfalvi Kurucz \u2013 Design Studio<\/strong>
\nFire protection: Gy\u00f6rgy B\u00e1der \u2013 Pro Almond Ltd.<\/strong>
\nAcoustics of the Auditorium: Federico Cruz-Barney \u2013 STUDIO DAP, Csaba Huszty\u2013 Entel Ltd.<\/strong>
\nBuilding acoustics: \u00c9va Borsin\u00e9 Arat\u00f3 \u2013 Arat\u00f3 Ltd., Guszt\u00e1v J\u00f3zsa<\/strong>
\nCAD: \u00c1kos M\u00e1t\u00e9telki \u2013 Greypixel Kft.<\/strong>
\nRestoration: Andr\u00e1s Seres, Alexandra T\u00f3th, \u00c9va Magyar, L\u0151rinc T\u00edm\u00e1r, Melinda Nagy, B\u00e1lint R\u00e9kasy, P\u00e9ter Z\u00e1goni, Zsolt K\u00f3bor, G\u00e1bor Lud\u00e1nyi, Zsuzsa Herling \u2013 Mentartis Ltd.<\/strong>
\nMonument expert: Tam\u00e1s Mez\u0151s<\/strong>
\nTextile works: Eszter Fellegi, Eszter R\u00e9v\u00e9sz<\/strong>
\nArt historian: M\u00e1rta Branczik<\/strong>
\nStage technology: Zsuzsa Tompai<\/strong>
\nLights: Ferenc Ha\u00e1sz \u2013 MadebyLight<\/strong>
\nSignals: D\u00e1vid Drozsnyik \u2013 Graphasel Ltd.<\/strong>
\nAccessibility: Henriett Szab\u00f3<\/strong>
\nMain contractor: W-\u00c9-L Opera Consortium<\/strong><\/p>\n

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