{"id":50286,"date":"2025-06-01T19:12:44","date_gmt":"2025-06-01T17:12:44","guid":{"rendered":"https:\/\/meonline.hu\/?p=50286"},"modified":"2025-06-01T19:12:44","modified_gmt":"2025-06-01T17:12:44","slug":"terbe-vetitve","status":"publish","type":"post","link":"https:\/\/meonline.hu\/en\/aktualis\/tema\/terbe-vetitve\/","title":{"rendered":"Projected into Space"},"content":{"rendered":"

Solium Regni \u00acExhibition and Stone Garden, Coronation Basilica National Monument Visitor Centre<\/strong><\/p>\n

Architects: Tibor Gerzsenyi, Tam\u00e1s Kar\u00e1csony<\/strong>
\nText: P\u00e9ter Klobusovszki<\/strong>
\nPhotos: Tam\u00e1s R\u00e9they-Prikkel<\/strong><\/p>\n

The ruins of the Royal Basilica in Sz\u00e9kesfeh\u00e9rv\u00e1r as well as the ruins of the Royal Monastery of St. Stephen, and the surrounding complex of buildings were completed in 1938, on the 900th anniversary of the death of King St. Stephen. Several attempts to renew the complex have been made during the intervening years, and the debate over the fate of the ruins and their associated artefacts has reached an important stage. The conversion of the former cinema, a few hundred metres from the site and closed 15 years ago, has resulted in the creation of an exhibition space and a stone museum dedicated to the memory of the Royal Basilica, which also serves as a temporary visitors\u2019 centre for the Coronation Basilica National Monument. The complex, which is part of King St. Stephen Museum in Sz\u00e9kesfeh\u00e9rv\u00e1r, has been named Solium Regni – which means \u201cThrone of the Kingdom\u201d \u00ac\u00ac- in reference to the royal throne of the former basilica, which is also the name of Feh\u00e9rv\u00e1r today. The aim of the new institution is to display and store the stones that had been scattered and later found, and to explore the history of the building, its architectural, art historical, cultural and political context.<\/p>\n

Architects: Tibor Gerzsenyi, Tam\u00e1s Kar\u00e1csony DLA<\/strong>
\nFellow architects: Zsolt Cs\u00edk, P\u00e9ter Dienes, Orsolya Glavanovics, Bal\u00e1zs Juh\u00e1sz, Orsolya Kern, \u00c1ron Lality, M\u00e1ria R\u00e1dai, Ildik\u00f3 Seb\u0151k, Gy\u00f6rgy Sel\u00e9nyi<\/strong>
\nArchitects of the exhibition installations: Tam\u00e1s Kar\u00e1csony DLA, Orsolya Kern; Bence Buz\u00e1s, Kriszti\u00e1n J\u00e4ger<\/strong>
\nStructure: Istv\u00e1n Pozsgai\u2020, Antal Ther, Attila Bogn\u00e1r, Bal\u00e1zs Bogn\u00e1r<\/strong>
\nBuilding technology plans: Anik\u00f3 Jerk\u00f3, Zsolt Marosi, Andr\u00e1s Z\u00f6hls, L\u00e1szl\u00f3 S\u00f3t\u00e9r; M\u00e1rton M\u00e9h\u00e9sz, G\u00e1bor Berey, G\u00e1bor Nagy, Mih\u00e1ly Lab\u00e1di, Csaba Benka<\/strong>
\nGraphics: Zsolt Czak\u00f3<\/strong>
\nCurator of the exhibition: Piroska Bicz\u00f3<\/strong>
\nMain contractor: Feh\u00e9r\u00e9p Ltd.<\/strong><\/p>\n

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