{"id":7250,"date":"2013-01-28T00:50:19","date_gmt":"2013-01-27T23:50:19","guid":{"rendered":"http:\/\/meonline.hu\/?p=7250"},"modified":"2013-03-10T17:13:19","modified_gmt":"2013-03-10T16:13:19","slug":"vilagmodellek","status":"publish","type":"post","link":"https:\/\/meonline.hu\/en\/magyar-epitomuveszet-hirek\/vilagmodellek\/","title":{"rendered":"World Models"},"content":{"rendered":"<p><strong>Studio Experiments and Documents from Kondor to the Present Day<br \/>\n30 November, 2012 &#8211; 28 April, 2013<\/strong><\/p>\n<div id=\"attachment_7251\" style=\"width: 310px\" class=\"wp-caption alignnone\"><img aria-describedby=\"caption-attachment-7251\" loading=\"lazy\" class=\"size-medium wp-image-7251\" title=\"01\" src=\"http:\/\/meonline.hu\/wp-content\/uploads\/2013\/01\/0121-300x224.jpg\" alt=\"\" width=\"300\" height=\"224\" srcset=\"https:\/\/meonline.hu\/wp-content\/uploads\/2013\/01\/0121-300x224.jpg 300w, https:\/\/meonline.hu\/wp-content\/uploads\/2013\/01\/0121-200x150.jpg 200w, https:\/\/meonline.hu\/wp-content\/uploads\/2013\/01\/0121.jpg 934w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><p id=\"caption-attachment-7251\" class=\"wp-caption-text\">Gy\u00f6rgy Jov\u00e1novics: Liza Wiathruck: Holos Graphos, 1972<\/p><\/div>\n<p>B\u00e9la Kondor, Tibor Csernus, J\u00e1nos Megyik, Mikl\u00f3s Erd\u00e9ly, Edit Moln\u00e1r, Lilla M\u00e1tis, Gy\u00f6rgy Jov\u00e1novics, D\u00f3ra Maurer, P\u00e9ter G\u00e9mes, Andr\u00e1s Baranyay, K\u00e1roly Schmal, Zolt\u00e1n \u00c9rmezei &#8211; J\u00e1nos Rauschenberger, M\u00e1rta Feh\u00e9r, Erzs\u00e9bet Scha\u00e1r, \u00c1gnes H\u00e1y &#8211; G\u00e1bor Cs\u00e1sz\u00e1ri, Andr\u00e1s Lengyel, P\u00e9ter Puklus, Dezs\u0151 Szab\u00f3, Attila Cs\u00f6rg\u0151, P\u00e1l Szacsvay<\/p>\n<p>What does the notion of the studio mean today? Is it the locus of artistic creativity, the most natural environment for experimenting and for the creative process? The mysterious place of the creation of the WORK? A refuge and a stage for private rites and rituals? A space consecrated by the artist&#8217;s presence, and the place of his or her everyday life at the same time? A shell that has grown inseparable from its dweller?<\/p>\n<p>The possible interpretations and concepts range from those of the late Renaissance and Dutch painting to Romanticism, to the avant-garde movements of the first decades of the 20th century, and to the most recent gestures of the &#8220;post-studio&#8221; age, when these gestures retake the possession of the studio, and reinterpret or extend its space. Obviously, this exhibition at the Hungarian National Gallery cannot endeavour to present all of these concepts and interpretations. Meanwhile, as the first in a series of thematic exhibitions of works in the Contemporary Collection, it attempts to explore the history of this locus, this topos of art history from the 1960s to the present day.<\/p>\n<p>We do not venture to &#8220;reveal&#8221; or map every aspect of the common function of the private living space and the individual artistic universe. Some of them brief and some more elaborate, our case studies present examples to show the diversity of ways in which the medium is adjusted to the artist&#8217;s personal attitude and his or her strong conceptual basis, and also to demonstrate the variety of the resulting works.<\/p>\n<p>Curators of the exhibition: M\u00f3nika Kumin, Zsolt Petr\u00e1nyi, L\u00e1szl\u00f3 Sz\u00e1zados<\/p>","protected":false},"excerpt":{"rendered":"<p>What does the notion of the studio mean today? Is it the locus of artistic creativity, the most natural environment for experimenting and for the creative process? The mysterious place of the creation of the WORK? A refuge and a stage for private rites and rituals? A space consecrated by the artist&#8217;s presence, and the place of his or her everyday life&#8230;<\/p>\n","protected":false},"author":1,"featured_media":7251,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0},"categories":[156,7,3,17],"tags":[150],"_links":{"self":[{"href":"https:\/\/meonline.hu\/en\/wp-json\/wp\/v2\/posts\/7250"}],"collection":[{"href":"https:\/\/meonline.hu\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/meonline.hu\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/meonline.hu\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/meonline.hu\/en\/wp-json\/wp\/v2\/comments?post=7250"}],"version-history":[{"count":6,"href":"https:\/\/meonline.hu\/en\/wp-json\/wp\/v2\/posts\/7250\/revisions"}],"predecessor-version":[{"id":7413,"href":"https:\/\/meonline.hu\/en\/wp-json\/wp\/v2\/posts\/7250\/revisions\/7413"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/meonline.hu\/en\/wp-json\/wp\/v2\/media\/7251"}],"wp:attachment":[{"href":"https:\/\/meonline.hu\/en\/wp-json\/wp\/v2\/media?parent=7250"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/meonline.hu\/en\/wp-json\/wp\/v2\/categories?post=7250"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/meonline.hu\/en\/wp-json\/wp\/v2\/tags?post=7250"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}