{"id":8096,"date":"2013-06-13T12:50:01","date_gmt":"2013-06-13T10:50:01","guid":{"rendered":"http:\/\/meonline.hu\/?p=8096"},"modified":"2013-07-11T10:10:35","modified_gmt":"2013-07-11T08:10:35","slug":"a-zaj-politikaja","status":"publish","type":"post","link":"https:\/\/meonline.hu\/en\/archivum\/a-zaj-politikaja\/","title":{"rendered":"The Policy of Noise"},"content":{"rendered":"

John Cage’s Silence in the East and West
\nLudwig Museum \u2013 Museum of Contemporary Art, November 23, 2012 – February 17, 2013<\/strong><\/p>\n

Text: S\u00e1ndor Hornyik<\/strong>
\nPhotos: Tam\u00e1s Bujnovszky<\/strong><\/p>\n

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John Cage \u2013 mainly as a result of his nexus in fine arts and theatre art \u2013 has been established as a key figure of experimental music (and art) both in the West and the East. However, he has been active in totally different intellectual contexts here and there. The exhibition titled The Freedom of Voice approaches cage from the direction of Eastern Europe, mediating a Central European \u201eCage\u201d who is presented as the \u201ewestern\u201d apostle of freedom to grow into the propagator of the Word (one might pop the question: what kind of Word could it be?). <\/p>\n\n\n\n\t\t\n\t\t\t\t