{"id":8630,"date":"2013-05-14T12:10:45","date_gmt":"2013-05-14T10:10:45","guid":{"rendered":"http:\/\/meonline.hu\/?p=8630"},"modified":"2013-06-13T10:53:44","modified_gmt":"2013-06-13T08:53:44","slug":"loos-hundertwasser-max-ernst","status":"publish","type":"post","link":"https:\/\/meonline.hu\/en\/magyar-epitomuveszet-hirek\/loos-hundertwasser-max-ernst\/","title":{"rendered":"Loos, Hundertwasser, Max Ernst"},"content":{"rendered":"<p><strong>Adolf Loos<br \/>\nMAK, Vienna, 13. 03 &#8211; 23. 06. 2013<\/strong><\/p>\n<div id=\"attachment_8631\" style=\"width: 610px\" class=\"wp-caption alignnone\"><img aria-describedby=\"caption-attachment-8631\" loading=\"lazy\" src=\"http:\/\/meonline.hu\/wp-content\/uploads\/2013\/05\/loos1.jpg\" alt=\"\" title=\"Adolf Loos: Josephine Baker's House, 1927, model: G. Bittorf, M. Burer \u00a9 Albertina\" width=\"600\" height=\"433\" class=\"size-full wp-image-8631\" srcset=\"https:\/\/meonline.hu\/wp-content\/uploads\/2013\/05\/loos1.jpg 600w, https:\/\/meonline.hu\/wp-content\/uploads\/2013\/05\/loos1-207x150.jpg 207w, https:\/\/meonline.hu\/wp-content\/uploads\/2013\/05\/loos1-300x216.jpg 300w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><p id=\"caption-attachment-8631\" class=\"wp-caption-text\">Adolf Loos: Josephine Baker h\u00e1za (nem \u00e9p\u00fclt meg), 1927, modell: G. Bittorf, M. Burer \u00a9 Albertina<\/p><\/div>\n<p>Loos expert Yehuda E. Safran has developed the exhibition LOOS. Our Contemporary originally for the CAAA Guimar\u00e3es, Portugal. Based on the example of the oeuvres of architects such as Le Corbusier, Hermann Czech, Jos\u00e9 Paulo Dos Santos, Eileen Gray, Herzog &#038; De Meuron, Frederick Kiesler, Rem Koolhaas, Richard Neutra, Aldo Rossi, Rudolph M. Schindler, Eduardo Souto de Moura, Ludwig Wittgenstein, and others, the show documents the influence of Loos\u2019 writings and projects on the building culture of the past one hundred years\u2014and examines the eternal efforts to create a balance between inner and outer worlds on the basis of designs, models, furniture, photos and publications as well as interviews.<br \/>\nContemporary Viennese takes on Loos in the form of works by artists and architects such as Heinz Frank, Karl-Heinz Klopf and Hubmann\/Vass Architects will likewise round out this exhibition\u2019s Viennese presentation, as will a retrospective on major Loos presentations and Loos-related research in Vienna.<\/p>\n<!-- default-view.php -->\n<div\n\tclass=\"ngg-galleryoverview default-view \"\n\tid=\"ngg-gallery-31c8227d147584557400408414782dfb-1\">\n\n\t\t<!-- Thumbnails -->\n\t\t\t\t<div id=\"ngg-image-0\" class=\"ngg-gallery-thumbnail-box \" >\n\t\t\t\t        <div class=\"ngg-gallery-thumbnail\">\n            <a href=\"https:\/\/meonline.hu\/wp-content\/gallery\/loos\/loos1.jpg\"\n               title=\"Adolf Loos: Josephine Baker h\u00e1za (nem \u00e9p\u00fclt meg), 1927, modell: G. Bittorf, M. Burer \u00a9 Albertina\"\n               data-src=\"https:\/\/meonline.hu\/wp-content\/gallery\/loos\/loos1.jpg\"\n               data-thumbnail=\"https:\/\/meonline.hu\/wp-content\/gallery\/loos\/thumbs\/thumbs_loos1.jpg\"\n               data-image-id=\"1774\"\n               data-title=\"Adolf Loos: Josephine Baker h\u00e1za (nem \u00e9p\u00fclt meg), 1927, modell: G. Bittorf, M. Burer \u00a9 Albertina\"\n               data-description=\"Adolf Loos: Josephine Baker h\u00e1za (nem \u00e9p\u00fclt meg), 1927, modell: G. Bittorf, M. Burer \u00a9 Albertina\"\n               data-image-slug=\"adolf-loos-josephine-baker-h%c3%a1za-nem-%c3%a9p%c3%bclt-meg-1927-modell-g-bittorf-m-burer-%c2%a9-albertina-1\"\n               class=\"ngg-simplelightbox\" rel=\"31c8227d147584557400408414782dfb\">\n                <img\n                    title=\"Adolf Loos: Josephine Baker h\u00e1za (nem \u00e9p\u00fclt meg), 1927, modell: G. Bittorf, M. Burer \u00a9 Albertina\"\n                    alt=\"Adolf Loos: Josephine Baker h\u00e1za (nem \u00e9p\u00fclt meg), 1927, modell: G. Bittorf, M. Burer \u00a9 Albertina\"\n                    src=\"https:\/\/meonline.hu\/wp-content\/gallery\/loos\/thumbs\/thumbs_loos1.jpg\"\n                    width=\"100\"\n                    height=\"75\"\n                    style=\"max-width:100%;\"\n                \/>\n            <\/a>\n        <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n\t\t\t\t<div id=\"ngg-image-1\" class=\"ngg-gallery-thumbnail-box \" >\n\t\t\t\t        <div class=\"ngg-gallery-thumbnail\">\n            <a href=\"https:\/\/meonline.hu\/wp-content\/gallery\/loos\/loos2.jpg\"\n               title=\"Adolf Loos: American Bar, 1908, modell: Modern Art Oxford, UK, 1985 \u00a9 MAK \/ Georg Mayer\"\n               data-src=\"https:\/\/meonline.hu\/wp-content\/gallery\/loos\/loos2.jpg\"\n               data-thumbnail=\"https:\/\/meonline.hu\/wp-content\/gallery\/loos\/thumbs\/thumbs_loos2.jpg\"\n               data-image-id=\"1775\"\n               data-title=\"Adolf Loos: American Bar, 1908, modell: Modern Art Oxford, UK, 1985 \u00a9 MAK \/ Georg Mayer\"\n               data-description=\"Adolf Loos: American Bar, 1908, modell: Modern Art Oxford, UK, 1985 \u00a9 MAK \/ Georg Mayer\"\n               data-image-slug=\"adolf-loos-american-bar-1908-modell-modern-art-oxford-uk-1985-%c2%a9-mak-georg-mayer-1\"\n               class=\"ngg-simplelightbox\" rel=\"31c8227d147584557400408414782dfb\">\n                <img\n                    title=\"Adolf Loos: American Bar, 1908, modell: Modern Art Oxford, UK, 1985 \u00a9 MAK \/ Georg Mayer\"\n                    alt=\"Adolf Loos: American Bar, 1908, modell: Modern Art Oxford, UK, 1985 \u00a9 MAK \/ Georg Mayer\"\n                    src=\"https:\/\/meonline.hu\/wp-content\/gallery\/loos\/thumbs\/thumbs_loos2.jpg\"\n                    width=\"89\"\n                    height=\"75\"\n                    style=\"max-width:100%;\"\n                \/>\n            <\/a>\n        <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n\t\t\t\t<div id=\"ngg-image-2\" class=\"ngg-gallery-thumbnail-box \" >\n\t\t\t\t        <div class=\"ngg-gallery-thumbnail\">\n            <a href=\"https:\/\/meonline.hu\/wp-content\/gallery\/loos\/loos3.jpg\"\n               title=\"Alvaro Siza Viera: \u00c9p\u00edt\u00e9szkar terve a Port\u00f3i Egyetemen, 1986-1995 \u00a9 MAK \/ Georg Mayer\"\n               data-src=\"https:\/\/meonline.hu\/wp-content\/gallery\/loos\/loos3.jpg\"\n               data-thumbnail=\"https:\/\/meonline.hu\/wp-content\/gallery\/loos\/thumbs\/thumbs_loos3.jpg\"\n               data-image-id=\"1776\"\n               data-title=\"Alvaro Siza Viera: \u00c9p\u00edt\u00e9szkar terve a Port\u00f3i Egyetemen, 1986-1995 \u00a9 MAK \/ Georg Mayer\"\n               data-description=\"Alvaro Siza Viera: \u00c9p\u00edt\u00e9szkar terve a Port\u00f3i Egyetemen, 1986-1995 \u00a9 MAK \/ Georg Mayer\"\n               data-image-slug=\"alvaro-siza-viera-%c3%a9p%c3%adt%c3%a9szkar-terve-a-port%c3%b3i-egyetemen-1986-1995-%c2%a9-mak-georg-mayer-1\"\n               class=\"ngg-simplelightbox\" rel=\"31c8227d147584557400408414782dfb\">\n                <img\n                    title=\"Alvaro Siza Viera: \u00c9p\u00edt\u00e9szkar terve a Port\u00f3i Egyetemen, 1986-1995 \u00a9 MAK \/ Georg Mayer\"\n                    alt=\"Alvaro Siza Viera: \u00c9p\u00edt\u00e9szkar terve a Port\u00f3i Egyetemen, 1986-1995 \u00a9 MAK \/ Georg Mayer\"\n                    src=\"https:\/\/meonline.hu\/wp-content\/gallery\/loos\/thumbs\/thumbs_loos3.jpg\"\n                    width=\"100\"\n                    height=\"75\"\n                    style=\"max-width:100%;\"\n                \/>\n            <\/a>\n        <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n\t\t\t\t<div id=\"ngg-image-3\" class=\"ngg-gallery-thumbnail-box \" >\n\t\t\t\t        <div class=\"ngg-gallery-thumbnail\">\n            <a href=\"https:\/\/meonline.hu\/wp-content\/gallery\/loos\/loos4.jpg\"\n               title=\"Adolf Loos Das Andere c\u00edm\u0171 foly\u00f3irat\u00e1nak c\u00edmlapja, 1903 \u00a9 MAK \/ Georg Mayer\"\n               data-src=\"https:\/\/meonline.hu\/wp-content\/gallery\/loos\/loos4.jpg\"\n               data-thumbnail=\"https:\/\/meonline.hu\/wp-content\/gallery\/loos\/thumbs\/thumbs_loos4.jpg\"\n               data-image-id=\"1777\"\n               data-title=\"Adolf Loos Das Andere c\u00edm\u0171 foly\u00f3irat\u00e1nak c\u00edmlapja, 1903 \u00a9 MAK \/ Georg Mayer\"\n               data-description=\"Adolf Loos Das Andere c\u00edm\u0171 foly\u00f3irat\u00e1nak c\u00edmlapja, 1903 \u00a9 MAK \/ Georg Mayer\"\n               data-image-slug=\"adolf-loos-das-andere-c%c3%adm%c5%b1-foly%c3%b3irat%c3%a1nak-c%c3%admlapja-1903-%c2%a9-mak-georg-mayer-1\"\n               class=\"ngg-simplelightbox\" rel=\"31c8227d147584557400408414782dfb\">\n                <img\n                    title=\"Adolf Loos Das Andere c\u00edm\u0171 foly\u00f3irat\u00e1nak c\u00edmlapja, 1903 \u00a9 MAK \/ Georg Mayer\"\n                    alt=\"Adolf Loos Das Andere c\u00edm\u0171 foly\u00f3irat\u00e1nak c\u00edmlapja, 1903 \u00a9 MAK \/ Georg Mayer\"\n                    src=\"https:\/\/meonline.hu\/wp-content\/gallery\/loos\/thumbs\/thumbs_loos4.jpg\"\n                    width=\"100\"\n                    height=\"75\"\n                    style=\"max-width:100%;\"\n                \/>\n            <\/a>\n        <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n\t\n\t<br style=\"clear: both\" \/>\n\n\t\n\t\t<!-- Pagination -->\n\t<div class='ngg-clear'><\/div>\t<\/div>\n\n<p><span> <\/span><br \/>\n<span> <\/span><\/p>\n<p><strong>Hundertwasser, Japan and the Avant-garde<br \/>\nBelvedere, Vienna, 05. 03 &#8211; 30. 06. 2013<\/strong><\/p>\n<p>The work of Friedensreich Hundertwasser is one of Austria\u2019s most significant contributions to art history in post-war modernism. In spite of his immense popularity, which the skilled networker and ambitious artist attained early in his career, the myth of the lone genius and eccentric outsider prevails to this day. In the exhibition Hundertwasser, Japan and the Avant-Garde the Belvedere has set out to rediscover the artist\u2019s early work. A thematic approach places Hundertwasser in the context of the avant-garde movement, aiming to counter this myth and reveal new ways of looking at his art as a whole. In doing so, the exhibition explores the artist\u2019s connections with Japan in the 1950s and his significance within the international avant-garde movement. For the first time in Vienna the show is bringing together masterpieces by Hundertwasser and works by Shinkichi Tajiri, Akira Kito, Yves Klein, Lucio Fontana, Pierre Alechinsky, Constant, Corneille, Sam Francis, and Mark Tobey. Another first is that these artists are being shown with Hundertwasser from the point of view of the Far Eastern influences on their work.<br \/>\nThe exhibition is divided into six themes \u2013 Architecture, Garden, Japan, The Line, Journey \u2013 Way \u2013 Process, and Freedom and Abstraction. Architecture addresses Hundertwasser\u2019s plea for individual creative freedom \u2013 everybody can, should and must build \u2013, while Garden illustrates his early interest in Japanese garden culture and the ecological awareness this awakened in him. The Line focuses on how Hundertwasser introduced the vegetative spiral, embodying the processes of nature and life in his art, and Journey \u2013 Way \u2013 Process as well as Freedom and Abstraction demonstrate how the processes of painting, living, and reflection always coincided in his work and free thinking took precedence over art\u2019s formal criteria. For the first time the exhibition is uniting works by Hundertwasser with those of his companions and colleagues, who also found inspiration for their art by studying Far Eastern philosophy.<\/p>\n<!-- default-view.php -->\n<div\n\tclass=\"ngg-galleryoverview default-view \"\n\tid=\"ngg-gallery-91984b34fa4b44fc9e661646777b53e9-1\">\n\n\t\t<!-- Thumbnails -->\n\t\t\t\t<div id=\"ngg-image-0\" class=\"ngg-gallery-thumbnail-box \" >\n\t\t\t\t        <div class=\"ngg-gallery-thumbnail\">\n            <a href=\"https:\/\/meonline.hu\/wp-content\/gallery\/hundertwasser\/hunderwasser2.jpg\"\n               title=\"Hundertwasser: 645 V\u00edzes\u00e9s, 1956 \u00a9 Namida AG, Glarus, Sv\u00e1jc\"\n               data-src=\"https:\/\/meonline.hu\/wp-content\/gallery\/hundertwasser\/hunderwasser2.jpg\"\n               data-thumbnail=\"https:\/\/meonline.hu\/wp-content\/gallery\/hundertwasser\/thumbs\/thumbs_hunderwasser2.jpg\"\n               data-image-id=\"1773\"\n               data-title=\"Hundertwasser: 645 V\u00edzes\u00e9s, 1956 \u00a9 Namida AG, Glarus, Sv\u00e1jc\"\n               data-description=\"Hundertwasser: 645 V\u00edzes\u00e9s, 1956 \u00a9 Namida AG, Glarus, Sv\u00e1jc\"\n               data-image-slug=\"hundertwasser-645-v%c3%adzes%c3%a9s-1956-%c2%a9-namida-ag-glarus-sv%c3%a1jc-1\"\n               class=\"ngg-simplelightbox\" rel=\"91984b34fa4b44fc9e661646777b53e9\">\n                <img\n                    title=\"Hundertwasser: 645 V\u00edzes\u00e9s, 1956 \u00a9 Namida AG, Glarus, Sv\u00e1jc\"\n                    alt=\"Hundertwasser: 645 V\u00edzes\u00e9s, 1956 \u00a9 Namida AG, Glarus, Sv\u00e1jc\"\n                    src=\"https:\/\/meonline.hu\/wp-content\/gallery\/hundertwasser\/thumbs\/thumbs_hunderwasser2.jpg\"\n                    width=\"99\"\n                    height=\"75\"\n                    style=\"max-width:100%;\"\n                \/>\n            <\/a>\n        <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n\t\t\t\t<div id=\"ngg-image-1\" class=\"ngg-gallery-thumbnail-box \" >\n\t\t\t\t        <div class=\"ngg-gallery-thumbnail\">\n            <a href=\"https:\/\/meonline.hu\/wp-content\/gallery\/hundertwasser\/hundertwasser3.jpg\"\n               title=\"Ando Hiroshige: A Yamabushi-v\u00f6lgy, 1853 \u00a9 Georg Mayer, MAK\"\n               data-src=\"https:\/\/meonline.hu\/wp-content\/gallery\/hundertwasser\/hundertwasser3.jpg\"\n               data-thumbnail=\"https:\/\/meonline.hu\/wp-content\/gallery\/hundertwasser\/thumbs\/thumbs_hundertwasser3.jpg\"\n               data-image-id=\"1772\"\n               data-title=\"Ando Hiroshige: A Yamabushi-v\u00f6lgy, 1853 \u00a9 Georg Mayer, MAK\"\n               data-description=\"Ando Hiroshige: A Yamabushi-v\u00f6lgy, 1853 \u00a9 Georg Mayer, MAK\"\n               data-image-slug=\"ando-hiroshige-a-yamabushi-v%c3%b6lgy-1853-%c2%a9-georg-mayer-mak-1\"\n               class=\"ngg-simplelightbox\" rel=\"91984b34fa4b44fc9e661646777b53e9\">\n                <img\n                    title=\"Ando Hiroshige: A Yamabushi-v\u00f6lgy, 1853 \u00a9 Georg Mayer, MAK\"\n                    alt=\"Ando Hiroshige: A Yamabushi-v\u00f6lgy, 1853 \u00a9 Georg Mayer, MAK\"\n                    src=\"https:\/\/meonline.hu\/wp-content\/gallery\/hundertwasser\/thumbs\/thumbs_hundertwasser3.jpg\"\n                    width=\"100\"\n                    height=\"75\"\n                    style=\"max-width:100%;\"\n                \/>\n            <\/a>\n        <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n\t\n\t<br style=\"clear: both\" \/>\n\n\t\n\t\t<!-- Pagination -->\n\t<div class='ngg-clear'><\/div>\t<\/div>\n\n<p><span> <\/span><br \/>\n<span> <\/span><\/p>\n<p><strong>Max Ernst<br \/>\nAlbertina, Vienna, 23. 01 &#8211; 05. 05. 2013<\/strong><\/p>\n<p>The Albertina will devote an exhibition \u2013 his first retrospective in Austria \u2013 to Max Ernst, the great pictorial inventor. Presenting a selection of 180 paintings, collages, and sculptures, as well as relevant examples of illustrated books and documents, the exhibition will assemble works related to all of the artist\u2019s periods, discoveries, and techniques, thereby introducing his life and \u0153uvre within a both biographic and historical context. Together with Matisse, Picasso, Beckmann, Kandinsky, and Warhol, Max Ernst no doubt numbers among the leading figures of 20th-century art history. An early protagonist of Dadaism, a pioneer of Surrealism, and the inventor of such sophisticated techniques as collage, frottage, grattage, decalcomania, and oscillation, he withdraws his work from catchy definition. His inventiveness when it comes to handling pictorial and inspirational techniques, the breaks between his countless work phases, and his switching back and forth between themes cause irritation. Yet what remains a constant is his consistence in terms of contradiction. Max Ernst was a restless personality who always strove for freedom. Torn between the realization of his personal aims in life and the social and political obstacles during a turbulent period, he nevertheless always looked ahead: a \u201cflight into the future\u201d. A misunderstood and revolting artist, he had moved from Cologne to Paris in 1922, where he joined the circle of the Surrealists; he was detained as hostile alien twice, attempted to get away, and was released thanks to lucky<br \/>\n\u201ccoincidences\u201d. In 1941 he escaped into American exile. Remembrance, discovery, recycling, and collage were the combined motor that drove him in his work. Under these aspects, the exhibition positions Max Ernst\u2019s \u0153uvre between references to the past, contemporary political events, and a prophetic and visionary perspective of the future. He who attested to himself a \u201cvirginity complex\u201d in the face of empty canvases went always in search of means that would allow him to augment the hallucinatory capacities of his mind, so that visions would arise automatically in order to \u201crid him of his blindness\u201d. <\/p>\n<p><!-- default-view.php -->\n<div\n\tclass=\"ngg-galleryoverview default-view \"\n\tid=\"ngg-gallery-1a86e6c8954819dbfa141cc899759be8-1\">\n\n\t\t<!-- Thumbnails -->\n\t\t\t\t<div id=\"ngg-image-0\" class=\"ngg-gallery-thumbnail-box \" >\n\t\t\t\t        <div class=\"ngg-gallery-thumbnail\">\n            <a href=\"https:\/\/meonline.hu\/wp-content\/gallery\/ernst\/ernst1.jpg\"\n               title=\"Max Ernst: Vox Angelica, 1943, \u00a9 VBK, Wien\"\n               data-src=\"https:\/\/meonline.hu\/wp-content\/gallery\/ernst\/ernst1.jpg\"\n               data-thumbnail=\"https:\/\/meonline.hu\/wp-content\/gallery\/ernst\/thumbs\/thumbs_ernst1.jpg\"\n               data-image-id=\"1767\"\n               data-title=\"Max Ernst: Vox Angelica, 1943, \u00a9 VBK, Wien\"\n               data-description=\"Max Ernst: Vox Angelica, 1943, \u00a9 VBK, Wien\"\n               data-image-slug=\"max-ernst-vox-angelica-1943-%c2%a9-vbk-wien-1\"\n               class=\"ngg-simplelightbox\" rel=\"1a86e6c8954819dbfa141cc899759be8\">\n                <img\n                    title=\"Max Ernst: Vox Angelica, 1943, \u00a9 VBK, Wien\"\n                    alt=\"Max Ernst: Vox Angelica, 1943, \u00a9 VBK, Wien\"\n                    src=\"https:\/\/meonline.hu\/wp-content\/gallery\/ernst\/thumbs\/thumbs_ernst1.jpg\"\n                    width=\"98\"\n                    height=\"75\"\n                    style=\"max-width:100%;\"\n                \/>\n            <\/a>\n        <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n\t\t\t\t<div id=\"ngg-image-1\" class=\"ngg-gallery-thumbnail-box \" >\n\t\t\t\t        <div class=\"ngg-gallery-thumbnail\">\n            <a href=\"https:\/\/meonline.hu\/wp-content\/gallery\/ernst\/ernst2.jpg\"\n               title=\"Max Ernst: Au dessus des nuages marche la minuit, 1920, \u00a9 VBK, Wien \/ Kunsthaus Z\u00fcrich\"\n               data-src=\"https:\/\/meonline.hu\/wp-content\/gallery\/ernst\/ernst2.jpg\"\n               data-thumbnail=\"https:\/\/meonline.hu\/wp-content\/gallery\/ernst\/thumbs\/thumbs_ernst2.jpg\"\n               data-image-id=\"1768\"\n               data-title=\"Max Ernst: Au dessus des nuages marche la minuit, 1920, \u00a9 VBK, Wien \/ Kunsthaus Z\u00fcrich\"\n               data-description=\"Max Ernst: Au dessus des nuages marche la minuit, 1920, \u00a9 VBK, Wien \/ Kunsthaus Z\u00fcrich\"\n               data-image-slug=\"max-ernst-au-dessus-des-nuages-marche-la-minuit-1920-%c2%a9-vbk-wien-kunsthaus-z%c3%bcrich-1\"\n               class=\"ngg-simplelightbox\" rel=\"1a86e6c8954819dbfa141cc899759be8\">\n                <img\n                    title=\"Max Ernst: Au dessus des nuages marche la minuit, 1920, \u00a9 VBK, Wien \/ Kunsthaus Z\u00fcrich\"\n                    alt=\"Max Ernst: Au dessus des nuages marche la minuit, 1920, \u00a9 VBK, Wien \/ Kunsthaus Z\u00fcrich\"\n                    src=\"https:\/\/meonline.hu\/wp-content\/gallery\/ernst\/thumbs\/thumbs_ernst2.jpg\"\n                    width=\"100\"\n                    height=\"75\"\n                    style=\"max-width:100%;\"\n                \/>\n            <\/a>\n        <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n\t\t\t\t<div id=\"ngg-image-2\" class=\"ngg-gallery-thumbnail-box \" >\n\t\t\t\t        <div class=\"ngg-gallery-thumbnail\">\n            <a href=\"https:\/\/meonline.hu\/wp-content\/gallery\/ernst\/ernst3.jpg\"\n               title=\"Max Ernst: Au premier mot limpide, 1923, \u00a9 VBK, Wien \/ K20 Kunstsammlung Nordrhein-Westfalen, D\u00fcsseldorf\"\n               data-src=\"https:\/\/meonline.hu\/wp-content\/gallery\/ernst\/ernst3.jpg\"\n               data-thumbnail=\"https:\/\/meonline.hu\/wp-content\/gallery\/ernst\/thumbs\/thumbs_ernst3.jpg\"\n               data-image-id=\"1769\"\n               data-title=\"Max Ernst: Au premier mot limpide, 1923, \u00a9 VBK, Wien \/ K20 Kunstsammlung Nordrhein-Westfalen, D\u00fcsseldorf\"\n               data-description=\"Max Ernst: Au premier mot limpide, 1923, \u00a9 VBK, Wien \/ K20 Kunstsammlung Nordrhein-Westfalen, D\u00fcsseldorf\"\n               data-image-slug=\"max-ernst-au-premier-mot-limpide-1923-%c2%a9-vbk-wien-k20-kunstsammlung-nordrhein-westfalen-d%c3%bcsseldorf-1\"\n               class=\"ngg-simplelightbox\" rel=\"1a86e6c8954819dbfa141cc899759be8\">\n                <img\n                    title=\"Max Ernst: Au premier mot limpide, 1923, \u00a9 VBK, Wien \/ K20 Kunstsammlung Nordrhein-Westfalen, D\u00fcsseldorf\"\n                    alt=\"Max Ernst: Au premier mot limpide, 1923, \u00a9 VBK, Wien \/ K20 Kunstsammlung Nordrhein-Westfalen, D\u00fcsseldorf\"\n                    src=\"https:\/\/meonline.hu\/wp-content\/gallery\/ernst\/thumbs\/thumbs_ernst3.jpg\"\n                    width=\"100\"\n                    height=\"75\"\n                    style=\"max-width:100%;\"\n                \/>\n            <\/a>\n        <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n\t\t\t\t<div id=\"ngg-image-3\" class=\"ngg-gallery-thumbnail-box \" >\n\t\t\t\t        <div class=\"ngg-gallery-thumbnail\">\n            <a href=\"https:\/\/meonline.hu\/wp-content\/gallery\/ernst\/ernst4.jpg\"\n               title=\"Max Ernst: \u00dcb\u00fc imperator, 1923, \u00a9 VBK, Wien \/ Paris, Centre Pompidou, Philippe Migeat\"\n               data-src=\"https:\/\/meonline.hu\/wp-content\/gallery\/ernst\/ernst4.jpg\"\n               data-thumbnail=\"https:\/\/meonline.hu\/wp-content\/gallery\/ernst\/thumbs\/thumbs_ernst4.jpg\"\n               data-image-id=\"1770\"\n               data-title=\"Max Ernst: \u00dcb\u00fc imperator, 1923, \u00a9 VBK, Wien \/ Paris, Centre Pompidou, Philippe Migeat\"\n               data-description=\"Max Ernst: \u00dcb\u00fc imperator, 1923, \u00a9 VBK, Wien \/ Paris, Centre Pompidou, Philippe Migeat\"\n               data-image-slug=\"max-ernst-%c3%bcb%c3%bc-imperator-1923-%c2%a9-vbk-wien-paris-centre-pompidou-philippe-migeat-1\"\n               class=\"ngg-simplelightbox\" rel=\"1a86e6c8954819dbfa141cc899759be8\">\n                <img\n                    title=\"Max Ernst: \u00dcb\u00fc imperator, 1923, \u00a9 VBK, Wien \/ Paris, Centre Pompidou, Philippe Migeat\"\n                    alt=\"Max Ernst: \u00dcb\u00fc imperator, 1923, \u00a9 VBK, Wien \/ Paris, Centre Pompidou, Philippe Migeat\"\n                    src=\"https:\/\/meonline.hu\/wp-content\/gallery\/ernst\/thumbs\/thumbs_ernst4.jpg\"\n                    width=\"100\"\n                    height=\"75\"\n                    style=\"max-width:100%;\"\n                \/>\n            <\/a>\n        <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n\t\n\t<br style=\"clear: both\" \/>\n\n\t\n\t\t<!-- Pagination -->\n\t<div class='ngg-clear'><\/div>\t<\/div>\n<\/p>","protected":false},"excerpt":{"rendered":"<p>Loos expert Yehuda E. Safran has developed the exhibition LOOS. Our Contemporary originally for the CAAA Guimar\u00e3es, Portugal. Based on the example of the oeuvres of architects such as Le Corbusier, Hermann Czech, Jos\u00e9 Paulo Dos Santos, Eileen Gray, Herzog &#038; De Meuron, Frederick Kiesler, Rem Koolhaas, Richard Neutra, Aldo Rossi&#8230;<\/p>\n","protected":false},"author":1,"featured_media":8631,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0},"categories":[182,7,3,17],"tags":[],"_links":{"self":[{"href":"https:\/\/meonline.hu\/en\/wp-json\/wp\/v2\/posts\/8630"}],"collection":[{"href":"https:\/\/meonline.hu\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/meonline.hu\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/meonline.hu\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/meonline.hu\/en\/wp-json\/wp\/v2\/comments?post=8630"}],"version-history":[{"count":2,"href":"https:\/\/meonline.hu\/en\/wp-json\/wp\/v2\/posts\/8630\/revisions"}],"predecessor-version":[{"id":8864,"href":"https:\/\/meonline.hu\/en\/wp-json\/wp\/v2\/posts\/8630\/revisions\/8864"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/meonline.hu\/en\/wp-json\/wp\/v2\/media\/8631"}],"wp:attachment":[{"href":"https:\/\/meonline.hu\/en\/wp-json\/wp\/v2\/media?parent=8630"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/meonline.hu\/en\/wp-json\/wp\/v2\/categories?post=8630"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/meonline.hu\/en\/wp-json\/wp\/v2\/tags?post=8630"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}