Frigyes Kőnig’s interests are – simplified – representations of space, quasi-historical, archaic and reproductive representation, plastic representations of people. He explores basic visual problems, such as vision, proportions, different perspectives and how they alter what we see, in his works that are still autonym, and aesthetically valuable.

Sit in China
An Excursion through 500 Years of the Culture of Sitting

Art for the Millions
100 Sculptures from the Mao Era

The first retrospective ever to be held about the most celebrated cabinetmaker of all time. Within a contextual presentation bringing together his works with highly important paintings, tapestries, bronzes and mounted porcelain, a captivating portrayal of the birth and flowering of a completely new aesthetical universe, which was to become the European model for centuries to come.